Una sobredosis de morfina mató al padre del psicoanálisis. A pesar de que Freud ha muerto, el psicoanálisis como método de investigación sigue vivo, pues las aportaciones teóricas del autor de “El yo y el ello”, en el campo de la materia son enormes, además de que actualmente Sigmund Freud está vigente en el arte, el cine, en la enseñanza, estudio de la adopción y de la homoparentalidad; así como la violencia y la migración, todos problemas actuales en los que está implícito el contacto con seres humanos, con el dolor y con el sufrimiento. Como en el cuarto largometraje del director rumano Călin Peter Netzer.

Călin Peter Netzer hurga, sin pudor, en la intimidad de una joven pareja y en la relación de dependencia que construyen entre ambos hundiéndose en una dinámica que no les hace felices. Los dos llevan una mochila muy pesada en su espalda (las relaciones familiares disfuncionales, los ataques de pánico de Ana, el deseo de sentirse necesitado e imprescindible de Toma, los consejos que llegan a través de la religión, del psicoanálisis o de las amistades…) que complica todo mucho más.

Dicen que amar es dar sin esperar recibir nada a cambio. Utopía imposible en el ser humano. Apoyado en unos actores entregados a sus personajes, su director consigue un relato descarnado y sin prejuicios de sus protagonistas enmarcados en una Rumania donde las tradiciones religiosas marcan el comportamiento patriarcal de las familias, con una acento marcadamente machista. Peter Netzer se une y forma parte a esa brillante hornada de directores rumanos de las últimas décadas que están dejando sus huellas en el arte cinematográfico.


Aquí entra el punto más destacable de Ana, Mon Amour (Ana, Mi Amor)… el psicoanálisis. Recordemos que esta disciplina aborda los procesos mentales de una manera profunda, cuyo objeto principal es tratar de hacer consciente aquello que es inconsciente, así que, mediante una serie de saltos al pasado y al futuro podemos ver todo lo que Toma ha vivido junto a Ana a lo largo de los años y como es que poco a poco se fue desbaratando su historia de amor.



La historia de amor de dos personas se han hecho mil versiones. La de Netzer es una versión propia que termina siendo una bonita historia de amor cruda, que gracias a las grandes interpretaciones de Mircea Postelnicu y Diana Cavallioti, que tiene grandes momentos. Pero desafortunadamente se queda muy contenida.

Calificación: 6.0

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